25 Best Bollywood Movies on Netflix Right Now in 2024

2. Gangs of Wasseypur | Anurag Kashyap | 2012

Anurag Kashyap had previously made great films like Black Friday and Dev prior to Gangs of Wasseypur. D, Gulaal, but only after Wasseypur did he truly become a household name that more than just cinephiles who were fans of independent films knew about. Gangs of Wasseypur is a five-hour epic that focuses on the criminal lordships of Dhanbad, India’s coal capital, and was released in two parts. Wasseypur, a film that began in 1948 and ended in 2009, is a hugely ambitious undertaking.

Gangs of Wasseypur chronicles generations of bloodshed through the eyes of three families who engaged in conflict with one another out of retaliation and competition. Gangs is a showcase of endearing characters that endure, from the silent and raging Shahid Khan to the cunning and sharp Ramadhir Singh, from the colourful yet merciless Sardar Khan to the lover boy Faizal, from the hateful Sultan to the unpredictable Definite.

Although it may appear that Ramadhir Singh is the leader of a group of villains and that Sardar Khan (Manoj Bajpayee) and the clan are the heroes, there are actually no good guys or bad guys in Wasseypur—only thieves with various ideologies. Who wins the fight is never the focus of Gangs of Wasseypur, but

3. Paheli | Amol Palekar | 2005

The whimsical folklore film “Paheli,” directed by multitalented Amol Palekar, is one of Shahrukh Khan’s lesser-known works. It is an official remake of Duvidha by Mani Kaul based on the Vijayadan Detha short story. The question of whether a woman who is married to a man has any claim to her romantic desire, which is frequently ignored in patriarchal society, is brought up in the film.

When Lachchi, played by Rani Mukerji, is forced to choose between loving a ghostly lover or marrying her husband Kishan, who left on business the morning after their wedding. She acts on her desire, accepting it hesitantly. In the movie, the ghost represents a paradigmatic man. In one of the scenes, Shah Rukh Khan’s ghost character says, “I am love.” He lives in the ladies’ heart. He in a real sense does, implying a representation for the lady’s heart and his timeless, genuine heartfelt persona.

4. Manorama Six Feet Under | Navdeep Singh | 2007

With the exception of Sujoy Ghosh’s Kahani, Sriram Raghavan’s Johnny Gaddar, Andhadhun, and the criminally underrated “Manorama Six Feet Under,” Bollywood has hardly produced any good mystery thrillers in this century. Navdeep Singh’s debut film, which is based on Roman Polanski’s classic noir-thriller Chinatown (1974), cleverly adapts the story to fit the Indian political climate while maintaining mainstream sensibilities.

Abhay Deol plays the role of unemployed writer Satyaveer, who, at his wife’s urging, decides to spy on a minister, which causes him to experience one twist after another mystery. It’s a low-budget Rajasthani movie that greatly benefits from clever adaptation, sharp writing, and an accomplished cast who feel and move like the roles they portray.

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5. Paan Singh Tomar | Tigmanshu Dhulia | 2010

The regimented and disciplined life of a soldier-athlete and a rebel are juxtaposed by Paan Singh Tomar. As it continues to examine the actual events of Paan Singh Tomar, it furiously traverses the couloirs. He is forced to return to his native village to settle a feud after a celebrated career as an Indian army steeplechaser. He is at last ruined into a terrible universe of mistreatment when the framework deliberately ignores his challenges.

Paan Singh Tomar is a rare biographical film that doesn’t sensationalize the history, and it’s precisely directed with a rustic aesthetic in the cinematography. It remains attached to simply imaginative expectation. Paan Singh Tomar is a must-see due to its honest and brave approach to filmmaking and Irrfan Khan’s outstanding performance.

6. Soni | Ivan Ayr | 2019

In 2018, Netflix selected Ivan Ayr’s Soni for inclusion in the Netflix India Program after it had screened at a number of international film festivals. It is without a doubt one of the best Hindi original movies on Netflix. It is a independent film with little money about violent crimes against women. Ivan Ayr addresses the troubling issues of gender discrimination, sexual harassment, and the distribution of power among various strata that manipulate the law without resorting to sensationalism or theatrics. He captures the helplessness of women in Indian society, both within and outside of the law, reflecting the gender gap and prejudices within the family of female police officers by keeping them in the picture.

7. Andhadhun | Sriram Raghavan | 2018

Positioned among one of the most amazing spine chiller motion pictures in Bollywood, Andhadhun shocked everybody. Sriram Raghavan is skilled at creating gripping thrillers with quirky characters and situations. Andhadhun is evidence of this. In this wicked thriller set in the heart of Pune, Raghavan places a blind (or maybe not) protagonist at the center.

Even though no one is black or white, he patiently sketches the characters to give them personality and force us to root for them. The camera follows multiple characters throughout Pune and various subplots that touch on a person’s moral and ethical dilemma, as well as a loosely handled organ trafficking subplot, which is a significant flaw in a fantastic film otherwise. The film is dripping in the neo-noir genre.

8. Parinda | Vidhu Vinod Chopra | 1989

One of the most influential commercial films of its time is Vidhu Vinod Chopra’s “Parinda.” It changed how Bollywood movies showed Mumbai’s underworld and used a noir color scheme to show the city of dreams falling apart. The gritty crime dramas “Satya” and “Vaastav” were directly inspired by Parinda, which laid the groundwork for those films. Despite the fact that several successful films on sibling rivalry, separated by morality, have been made in Bollywood; Chopra focuses on the unbreakable bond between brothers that is tested when their bond threatens a gang war’s outcome. Nana Patekar’s threatening and similarly threatening demonstration made him famous short-term and gotten him first Public Honor also.

9. Raman Raghav | Anurag Kashyap | 2016

Raman Raghav 2.0 by Anurag Kashyap is sinister, delirious, and delectable stylistically. It is a true Kashyap film in every way and goes above and beyond.

There’s a weird grin that shows up all over as you watch Ramanna destroying his casualties in Anurag Kashyap’s Raman Raghav 2.0. It is not because Kashyap somehow magically manages to justify the mystifying murders in his film or because he tries to get you to root for his killing machine; rather, it is primarily due to the film’s jabs at the violent and anarchic side of the human brain.

He punches you in the head with a sharp, dark kick. one that sends chills down your spine and is a psychotic disorder. A movie like this never hesitates to deliver its message of evil. It displays a dozen ghastly occurrences in front of you and keeps adding weight until you gasp or possibly choke to death.

10. Pink | Aniruddha Roy Chowdhury | 2016

Pink asks some uncomfortable questions and reveals some facts about our world. Awkward in light of the fact that knowing or accidentally a large portion of us are likewise region of the planet that is off base here. Pink cuts deeply into our consciences.

It affects the judgment and also stares directly at those whose perceptions of women are obscured by their own viciously unacceptable descriptions or by cheap, mindless props. Pink by Aniruddha Roy Chatterjee is subtle and loud at the same time. It feels like a morality lesson. However, it also appears to be a lesson that must be imparted or, at the very least, listened to. One of the most important Bollywood films currently available on Netflix is Pink.

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11. Black Friday | Anurag Kashyap | 2004

adapted from “Black Friday:” a book by journalist Hussain Zaidi Black Friday was supposed to be a miniseries based on the true story of the Bombay bombings. Later, it became a feature script. Black Friday was released to critical acclaim after being banned for two years due to a court case at the time. It saw the rise of a filmmaker who created his own distinct cinematic language by combining commercial elements with realistic narratives. Black Friday was Anurag’s first official release and his most successful work to date, despite the fact that it was not his debut.

Black Friday never fails to arouse excitement and a sense of dread, beginning with the terror-inducing first scene of a bomb going off and continuing all the way through the credits. It will chill both your soul and bones. The events of the 1993 Mumbai Bombing, which killed hundreds and injured thousands, are depicted in Black Friday as manifestations of religious hostility between the Hindu majority and the Muslim minority. Without sensationalizing or praising any characters or the event itself, Black Friday seamlessly transitions between the pre-blast and post-blast events.

12. Kapoor & Sons | Shakun Batra | 2016

Shakun Batra’s “Kapoor & Sons” provides a much-needed counterpoint to the tidy, practical, and epic family dramas that Yash Raj and Sooraj Barjatya produced. Although the quality of the films is a different topic of discussion, the operatic melodrama of wealthy families in trouble was nothing short of a fantasy.

Kapoor & Sons by Dharma Productions was a pleasant departure from their conventional and conservative character writing. The film’s solidarity lies in its appealing characters having substantial familial issues that we could connect with. To get a close-up look at people’s flaws and interpersonal issues with a dash of inherent humor, a generic plot is necessary.

13. Haider | Vishal Bharadwaj | 2014 

The third and concluding installment of Bhardwaj’s Shakespearean trilogy, which also includes Omkara and Maqbool (a play based on Macbeth with the underworld of Mumbai as its setting) (based on Othello in the backdrop of UP politics). Vishal Bharadwaj made a very sensible choice in 1995’s dangerous Kashmir. Instead of using it as merely decorative accents for lovely ensembles, he gives it personality. He uses issues from Kashmiris’ daily lives to offer Claudius, Gertrude, and Prince Hamlet context.

The plot of Haider develops slowly, but it is so intensely character-driven that every minor character counts, including Salman and Salman, who are ardent Salman Khan fans and add comic relief to this sombre tale of retribution. This is more Kashmiri politics as it actually is.

14. Aankho Dekhi | Rajat Kapoor | 2014

Indian cinema has rarely addressed existential issues. The aged Bauji’s dilemma in this situation isn’t just about his own personal regrets. It becomes more widespread, serving as a sort of Messiah for the other people.

Aankhon Dekhi is an absurd film with a lot of insight and reality, and the director made some smart choices. Additionally, the performance by Sanjay Mishra stands out. His varied performance transforms the script, which occasionally stumbles, into a significant work in Indian cinema.

15. The Lunchbox | Ritesh Batra | 2013

What else can be said about this film that hasn’t been said already? Until we screwed up, the best chance we ever had of winning the coveted “Best Foreign Film (now best international film)” Oscar.

Even though I didn’t fall in love with this movie as much as others did, I still have a great appreciation for what it did. It has some truly wonderful scenes and moments, and it is acted and written very well. It moves slowly, is moody, and takes you on a straightforward, touching journey through life with characters you can relate to.

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16. Eeb Aalay Ooo! | Prateek Vats | 2019

The social-critique drama written by Prateek Vats about a young migrant from Bihar looking for work in the capital of India serves as both: a harsh commentary on widespread class division, toxic power dynamics, and an individual’s struggle to fit in with society.

Prateek Vat’s experience as a documentary filmmaker is evident in his uncomplicated narrative and choice of framing, which aids in understanding Anjani’s internal turmoil and persistent struggle to conform. The film’s sound design and photography are exceptional, but Shardul Bhardwaj’s unassuming but powerful performance as a young man reluctant to give up a head full of dreams stands out. Aallay Eeb! is possibly one of the best Bollywood movies streaming on Netflix in 2019 and an underappreciated gem among Indian movies from the past decade.

17. Oye Lucky, Lucky Oye | Dibakar Banerjee | 2008